Posts Tagged ‘Cage The Elephant’

Cage The Elephant, Live at the McDonald Theatre, June 7, 2011

First, the story behind the story (a treatise on Murphy’s Law and how everything that could possibly go wrong, did…):

I went to buy a pack of smokes from the little grocer across from the LTD bus station downtown (a couple blocks from where I work)… I walk past what I recognize as the tour bus (with trailer) at the curb… as I’m walking past, someone pops out (I think it was CTE’s drummer)… I would ordinarily stop and engage in a brief impromptu meet-n-greet – but I don’t, because Brad (guitarist) had said we would have access passes and get to chat with the guys and take some pictures (see transcript of live interview June 3, 2011) – instead, I nod and smile, thinking, “I’ll see you guys in a few hours….” First mistake – ALWAYS trust your instincts (you’ll see this theme repeats ad nauseum throughout this story). An hour later, an email from the publicist tells me the meet-n-greet is off, and all we’ll get is a photo pass (for TCC photographer Jeanice Marvel) for the first three songs on CTE’s set.  I’m annoyed/irritated and all that. But ok, I got a phone interview and we have tix to the show.  We pick up the pass at 6pm at will call.  Right.

I jump in the car, grab grandson (Jeanice’s son – yeah, she’s my daughter – don’t hold it against me) from daycare, dash to my West Eugene home to throw him at my 14 yr old daughter who will babysit so we can attend the show.  Dash back to pick up photographer Jeanice from her work in Westmoreland, then head downtown for the concert.  In the car, I ask Jeanice, “So, you have your camera?”  “Yep.”  “Batteries?” I ask. “Yes!” she states. “SIM card?” I ask. “No…” she answers.  “WHAT?!!” I yell.  “I don’t have it, you have it” she retorts. “No, I don’t – I put it in your bag two days ago!” I yell.  “I didn’t look in the bag…” she answers.  We’re downtown at that point… so BACK we go to her house to get the SIM card.  I had sent her an email earlier that day asking if she had her camera – what I was THINKING was “SIM card” – but of course, I thought she would know when I said “camera” what I meant was “camera and everything necessary to operate the same.”  Right.

Dash back downtown.  Everything’s ok, we’re supposed to be at the will call box office window at 6pm and it’s 6pm as we pull into the Overpark at 10th and Willamette.  I grab the gate ticket (gotta love the new gates that run 24/7) and toss it, remembering just the last week when I was at the Floater show and the gates were up by the time we were outta there.  But it’s in the car, the ticket is in the car.  Easy-peasy – right?

We run to will call for the photo pass.  I remember seeing Jeanice has her work ID and keys bouncing on her belt as we’re running (ok, speedwalking) to the window.  Tell the window gal who we are and what we’re here for.  She can’t find us on any list.  WTF?!?!  Fortunately, I had actually followed THIS intuition and printed the email chain from publicist saying for us to pick up the photo pass at said window at said 6:00 p.m.  Present said hard copy to window… we are instructed to wait.  Several folks come to the window to pick up and/or purchase tickets.  Line to get in has now reached the corner.  I’m PISSED – I am ALWAYS the first person in line.  Control Freak = Laurel – no apologies here.  That’s where we get all the action – band members coming in and out, photo ops, etc.  But no – we are stuck at the wall next to the door at will call.  Owner of New Odyssey comes to will call window with someone’s keys he found.  I remember watching this… and wondering.  ::sigh::  You’ll hear more about this later.  10 minutes later, guy comes out of door, asks us for the name of the band we are covering.  Well, he didn’t say that exactly, but after several exchanges, we figure out that is what he asking.  ::rolls eyes::  More waiting.  More people coming to get tickets.  Line is getting longer.  I am pissed and annoyed and irritated, and GLAD I bought that pack of smokes.  I’m blowing clouds at strangers on purpose at this point (especially when one of the McDonald event staff presents two girls to the window to get access wrist bands – because they were CUTE?!!! – while we are cooling our heels and contributing to global warming waiting for the damned photo pass – still.  We finally get it, and get in line which is now halfway to the will call window) – still, no worries.  Right?

From that point, things got marginally better – they opened the doors, realized after about 5 minutes that the line was moving WAY too slowly so they started just shoving us through with a cursory once-over (“empty your pockets” “well, this will take awhile…” I start pulling out CDs, one for Brad of Floater, one CTE that the band was supposed to sign…  Security says, “OK – go”… ::laughs::)  and we are in – finally.  Head straight for the balcony (I don’t do floor – period) and grab the first row, center seats.  FINALLY – something that went right!  Right…

Halfway through the opening band’s set, Jeanice grabs me and asks, “Do you have my work keys?” I’m like, “wha?!” I remember seeing them on her at one point… but what point?  She is tearing her bag apart, coat pockets, under her seat.  I’m thinking, “were they even with you when we were waiting for 30 minutes at will call?  I remember seeing them… but where?!”  She is panicked, there is ID on that ring with the keys… and I’m thinking (yes, AGAIN), that I should have said something about her taking them off when I picked her up from her work. (did you hear the sigh?)  We don’t find the keys.  I’m thinking they must be in the car… and we will find them (that I do KNOW).   The rest of the show is absolutely SHADOWED by this.  I did mention I was already pissed, right?  Right.

(skip show which is reviewed below in detail)

We make our way out of the theatre when everything is sung and done and get in the car – do the cursory search and don’t find her work keys.  Nothing to do at this point, she thinks maybe they are in the theatre somewhere and she will call them when we get back to her house.  Okay, off we go… to the exit of the Overpark. (yes, the exit – that requires a ticket to get the gate to open, right?)  You already know what happens next, don’t you?  Yeah, so did I.  The gate is down and I canNOT find the freaking ticket… anywhere!  It is not where Jeanice is sitting, not in the backseat, not in the console…. WTF?!!!  I forgot to give the fae their donation for my CAR?!! I shove unresponsive buttons on the machine while folks behind me are yelling about holding up the line.  Finally, attendant comes along, gets someone on the speaker phone, I tell him what is going on, they open the gate.  Yea!  We are OUTTA there.

::sigh::

Get to my house, get sleeping grandson, get back in the car… and find the ticket on MY seat.  Not a lie.  Take folks home, drive back to my house.  It is 12:30 am and I have to be at the lawfirm office (where I do my day gig) by 7:30am this morning.

BUT!!!!  There is a silver lining, or pot of gold, or whatever you want to call it, to this story.  The concert was AWESOME – there is nothing like seeing bands playing live (in tiny venues or huge amphitheaters), and all three bands put on a helluva show.  AND – we got the most amazing pictures!!  And since one picture is worth a thousand words, the concert review will be a very brief recap (especially for CTE) – I will (eventually) shut up and let the pictures speak for themselves!

(note on the quality of the photos – Jeanice is currently shooting with a Sony Cybershot on a 3 second delay, so if folks on stage move you see the delayed result – if anyone has a DECENT camera they wanna turn us onto, appropriately priced, let me know please!  But with all that said, these pictures are amazing…)

Opening Band – Sleeper Agent (surprising!)

Let it never be said that there are no decent female-lead vocalist rock bands.  These guys just amazed me – there was a nice variety to their songs, but every one of them had a hard rocking foundation.  Alex “Kidd” Kandel does lead vocals (think Flyleaf) with a serious hard core punch. Setting her up are Tony “Tutone” Smith – (guitar and vocals), Josh “Junior” Martin (lead guitar), Lee “Grizzlee” Williams (bass guitar), Scott “Saga” Gardner (keys and samples), and Justin “Keyser” Wilson (drums). I so love that keyboards are coming back – it is, after all, my first (and primary) personal instrument!  These guys met and bonded with CTE in their stomping grounds of Bowling Green, Kentucky – which makes it three bands I’ve heard over the past week from that town.  It always makes me crazy that the audience just stands there like statues through most of the opening bands’ sets – their music was amazing!  Never mind the fact that, on the second to last song of their (entirely too short) set, they nearly blew out the house PA subs when Tony’s (over-hot) mic started feeding back on (what I suspect was the way over-amped) bass, resulting in a noise reminiscent of a jet engine taking off – NEXT TO YOU – and they just rocked on, finishing the set with virtually no bass running at all – AWESOME, you guys were great!!  Watch for these guys – I’m sure we’ll see more of them.

Sleeper Agent, McDonald Theatre (Eugene, OR) June 7, 2011

      

Manchester Orchestra – Soporific…

Line up:  Andy Hull (rhythm guitarist/vocals), Robert McDowell ( lead guitarist ), Chris Freeman (keyboards/synth/drums), Jonathan Corley (bass), and Tim Very (drums).  I really wish I could be as enamored of this band as the rest of the media… but I can’t.  This is your basic hard rock band, mixing intros that are softly appealing with LOUD thrash (read moshing), going back to quiet, nearly solo, vocals.  Power chords do not make a band… but the crowd loved them!   What makes these guys stand out is the fact that three of the guys do vocals, and of course Chris on keyboards/synth/percussion – who has a small drum kit (sans kick).  I just can’t find anything to say about this band – maybe it’s Andy’s semi-falsetto vocals (reminiscent of Silversun Pickups).  They’re a good band – just not that good.  I do really like “Friends In All The Right Places” (which I remembered from the 2009 open for Silversun) – love that song!  I was seriously watching Chris doing headbanging while playing air drums, although that’s sometimes… weird.  He reminds me of a mad scientist – all you need is audio running with him cackling madly.  All in all, a decent band with good storytelling – but I felt like I was either being put to sleep during the slow/quiet parts of songs alternating with feeling like I was being pinned to the wall on the thrash parts.  ::shrugs::

Manchester Orchestra, McDonald Theatre (Eugene, OR) June 7, 2011

    

Cage The Elephant – Spectacular!

That’s the only word to describe these guys – they put on an AMAZING live show!!  If you have never seen them, you absolutely have to.  It is something you will tell your kids – trust me!

I’m not even going to attempt to review their actual performance – these guys are professionals, every single one of them was outstanding and gave us everything they had – so you get just the impressions view here.   The floor (and most of the balcony) was packed to the walls by the time they hit the stage.  Seeing and hearing hundreds of fans screaming, singing, hands in the air clapping, pounding… it was… perfect.  No other way to say it.  I do wish I could see them in a better venue tho – the McDonald (while an amazing venue) SUCKS for sound quality – Matt’s vocals were nearly drowned out by the guitars… which is a shame, he has such an amazing voice, and the lyrics of the songs themselves can easily stand alone.  What I especially love about these guys (besides their raw energy) is that every song sounds different.  No falling asleep here, and the sound levels were significantly lower than what they were running with Manchester – I use ear plugs (real ones – not ‘foamies’) as everyone who attends live events should be doing or they really will be deaf by the time they are 45 years old.  Anyways, Cage takes a four-piece instrumental group (bass, lead and rhythm guitars, drums) and makes it sound extraordinary.  Brad’s rhythm guitar doesn’t ever hide (Jeanice noticed you, btw), Lincoln’s lead riffs absolutely rip, and Daniel’s bass runs undercurrent with Jared on drums to keep Matt from coming completely undone!  What left me absolutely gasping was Matt bodysurfing the pit (with the security trying desperately to reel him – sometimes unsuccessfully – back).  See that photo at the head of the column?  That’s Matt standing on the shoulders of someone in the pit (yes!)  – I’m not sure who was more surprised:  the crowd?  security? or Matt….  it was amazing, awesome, all those “a” words, with a few thrown in for the helluvit!

Cage The Elephant – McDonald Theatre (Eugene, OR) June 7, 2011  

yes, Matt is STANDING ON SHOULDERS IN MOSH

not sure if he is singing or just holding his hand over his mouth in awe here...

Security trying to disentangle him from the mosh...

they finally get a hold of Matt... and he's still singing!!

Cage The Elephant, McDonald Theatre, June 7, 2011

and then they toss him over the monitors!!!! (go Security!)

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Cage The Elephant (Photo Credit: Sandy Kim)

Brad Shultz of Cage the Elephant performs at Vic Theatre on March 4, 2011 in Chicago, Illinois. (Photo by Lyle A. Waisman/Getty Images)

NRQ’s 97 Days of Summer 2011 Concert Series kicks off with Cage The Elephant headlining at the McDonald Theatre on Tuesday, June 7, 2011, with Manchester Orchestra opening the show.  Guitarist Brad Schultz (co-founder and brother of front man Matt Schultz) took some time prior to their June 3 show at the Santa Barbara Amphitheatre to chat with me (by phone) to talk about the current tour (promoting their sophomore album, “Thank You, Happy Birthday”), how they got started, and to share some personal stories.

Brad:    hello?

TCC:    Brad, hey, how’s it goin?

Brad:    Good, how are you?

TCC:    I’m excellent, it’s actually sunny here in Eugene for the first time in a month!

Brad:    [laughs] You’ve got the UK weather?

TCC:    Yeah, just more so – think Seattle, but without all the fun stuff going on… you guys will be the highlight of the month when you come in on the 7th.

Brad:    Well, thank you so much!

TCC:    We’re really looking forward to it, and I want to tell you thank you, very much, for doing the phone interview, and I am recording…

Brad:    Well good, thank you so much for doing it with me.

TCC:    Not a problem! I don’t often get to talk to the rhythm guitarists, you guys just end up fading into the background somewhere…

Brad:    [laughs]

TCC:    This actually will be kind of nice, we get a unique perspective, because usually, your bro Matt (lead singer/front man Matt Shultz) is, you know, the guy that gets to answer all the fun questions, right?

Brad:    Yeah, but you know, I usually just take care of all the important stuff.

TCC:    ahh, ok, well see?

Brad:    [laughs]

TCC:    No, I knew that, I knew that…

Brad:    [laughs]

TCC:    So, I just have a couple of questions, I’m hoping that I’ll have some questions for you that maybe nobody’s asked before, and I’ll ask you towards the end if there’s anything that I’ve missed.

Brad:    Alright…

TCC:    How old were you when you first started playing music?

Brad:    Hmm, well me and Matt, basically, always played from the time we were children, basically twelve and up.  I bought a guitar from a friend in my neighborhood for like $25…

TCC:    ahhh, fun…

Brad:    Yeah, it was like an old junkie classical guitar…

TCC:    [laughs]

Brad:    and funny enough, we actually grew up really poor, we were in kind of a larger-scale kind of government housing neighborhood.  And for some reason, we liked to dumpster-dive when we were kids…

TCC:    [laughs] go figure, right?

Brad:    And so we pulled a drum set out of the trash one time…

TCC:    oh my God…

Brad:    like an old beat up drum set…

TCC:    Right…

Brad:    Matt actually started out as, you know, we set the drum sets up in, you know, some janky way or whatever…

TCC:    [chuckles]

Brad:    and Matt was actually the drummer, I played guitar…

TCC:    oh my God, that must have been real interesting to hear you guys, those first little sessions, hmmm?

Brad:    oh God… probably unlistenable…

TCC:    [laughs]  Well, I guess it depends on that unique perspective, right?

Brad:    hmmm, well, yeah, I guess you could do the whole anti-art thing, where any object can be art…

TCC:    exactly…

Brad:    so I guess, if you look at it that way… our horrible music, in some perspective, might have been art…

TCC:    [laughs]  well, I’m trying to allow for the possibility that, in somebody’s view, it would have been amazing, so…

Brad:    [laughs]

TCC:    You guys thought you were amazing, right?

Brad:    hmmm, I don’t know, we were just having fun, you know…

TCC:    [laughs]

Brad:    we were just basically beating the crap out of my guitar and the drums…

TCC:    that sounds like fun, yes…

Brad:    [laughs]

TCC:    I think that’s what you’re supposed to be doing when you’re twelve anyways?

Brad:    yeah…

TCC:    Yeah!

Brad:    Our mom was sitting in the living room with a bullet and a gun…

TCC:    [laughs]

Brad:    and she was… [laughs] nah…

TCC:    You’re kidding, you’re kidding, I know.

Brad:    [laughs]

TCC:    So you basically always wanted to play music.  What, if you weren’t a musician, what kind of work would you be doing?

Brad:    hmmm, who knows?  I bounced around to so many jobs… hmmm, our band has done everything from telemarketing… to plumbing, to… we worked at pizza places, whole bunch of pizza places…

TCC:    [laughs]

Brad:    yeah, we’ve ahhh, we definitely went through… so I’m not sure exactly what kind of, probably some other dead-end job…

TCC:    [laughs] besides being a musician, right? No…

Brad:    [laughs] yeah yeah, exactly…

TCC:    I saw you guys when you went through Eugene in 2009, when you were opening, with Manchester (Orchestra), for Silversun Pickups…

Brad:    uh huh…

TCC:    So this will be your second time around, through Eugene, at the McDonald Theatre…

Brad:    It’s the third time, actually…

TCC:    Is it really?

Brad:    Yeah, because we played, hmmm, we played the place that we’re playing right now, with Silversun, and then there was one other time that we did a PETA event, like raising money for animals and stuff…

TCC:    Right…

Brad:    and it was like an outdoor thing, so it was our… So we came through twice, but hmm…

TCC:    Well, at the McDonald, at the McDonald Theatre…

Brad:    but it’s so cool because every thing feels so local…

TCC:    yep, yeah

Brad:    I think that’s a lot, you know, a lot of cities get lost in, you know, just big corporations and stuff.  So Eugene seems like its been able to harness something pretty unique and pretty neat.

TCC:    Well, we have, its a university town, so you’re gonna have that kinda energy going anyways, but then you’ve got a whole, you know, professional section so… you, I know you guys have seen all sorts of people in the audiences, when you go to shows… you’ll see, you’ll remember Eugene…

Brad:    [laughs]

TCC:    It’s a real mixed crowd… [laughs]

Brad:    yeah…

TCC:    [laughs] What is different about being the headlining band, as opposed to being one of the opening bands?

Brad:    hmm, I mean, I think, it’s just good because the crowds are there to actually see you.  You know, being an opener, you always have that, you have that sense that you almost have to win people over?

TCC:    Right…

Brad:    um, so I think it’s just more, for the band, its more of a relaxed environment as far as just, you know, going on stage and playing a show and not having to worry about anything or being self-conscious about anything…

TCC:    Yep, that sounds…

Brad:    You know, and usually the crowd kicks off, you know, a lot faster, so… We tend to feed off the energy of the crowd so, you know, I don’t know if there’s a huge difference but… the big thing about this tour is that we’re doing, headlining, with Manchester, and so, you know, both of our bands, honestly, going into it we were both like, “oh crap..”

TCC:    [laughs]

Brad:    …maybe the crowd doesn’t, whatever… it’s been, you know, we just can’t stop talking about how much, you know, how great the response has been on both sides.  So…

TCC:    oh yeah…

Brad:    It’s been amazing to be able to do this, this headlining tour with some of our great friends…

TCC:    Yep, yep…  If you could share the stage with anybody, alive or dead, who would it be?

Brad:    oh God… can I put together a band, and I’ll be the guitar player?

TCC:    [laughs]

Brad:    hmm, Mitch Mitchell (Jimi Hendrix) on drums… Andy Gill, from Gang Of Four, on guitar… I’ll do the other guitar of course…

TCC:    [laughs]

Brad:    and then probably, probably Paul McCartney on bass…  and, we gotta put, we’ll put John Paul Jones on keys…

TCC:    oh, nice!

Brad:    you know, and then, the singer would have to be Lou Reed…

TCC:    oh, wow, okay!

Brad:    [laughs] That would be a f**ked up band…

TCC:    [laughs] it would be… [laughs] But it would definitely be one of the most unique-sounds that anybody’s ever heard…

Brad:    [laughs]

TCC:    Something like Cage, right?

Brad:    [laughs] oh God, I wish… to be paired with those names, I… that’s probably a bigger test than I’m in for…

TCC:    [laughs]  What keeps you guys sane when you’re on the road?

Brad:    Keeps us sane? uh…

TCC:    Sane, or are you?

Brad:    Who knows? You know, friends… well like, our whole, our whole kind of touring concept is like a big family, you know?  And so we have like eleven people on our bus, like wives, girlfriends, freakin, you know buddies of ours will jump on tour with us… so, I don’t know, just having it, you know, just trying to keep some normalcy to everything…

TCC:    [laughs] got it, got it. Now when your first album was released back in 2009, it got some kind of mixed reviews.  What was it that kept you guys going, kept the faith and you didn’t want to give up… what was it that made…

Brad:    I mean, we’ve always, you know, regardless of whether we were going to be doing this on a day-to-day basis or whatever, we’re still gonna write songs because that’s what we enjoy to do.  And I think we have a passion, first and foremost, to be songwriters, and to always grow and better ourselves as songwriters.  So, you know, even some of the mixed reviews, the ones that I really, you know, that really bother me are the ones when people blatantly are out just to get the band…

TCC:    Right.

Brad:    You know?

TCC:    Right.

Brad:    And they make outlandish, you know, comparisons or whatever…

TCC:    [laughs]

Brad:    But you know, as far as people liking music and not liking it, I’ve always, you know, everybody has their different tastes and so… you’re never gonna, you know, whether people like your music or not, I’m still gonna write, we’re still gonna write music, you know?

TCC:    Good!

Brad:    And so, you know, we were just, felt really blessed that we have, some people did like our music… you know, and we’re smart enough people to know that, we look back and we want to better ourselves as songwriters.  So you know, we can look back and there are, you know, there’s imperfections and I think we’ll find imperfections in every album that we do.  But I think that’s part of the beauty of everything is, you know, seeing the growth and seeing where you were at that point in time.

TCC:    Exactly, exactly.

Brad:    And so you know, really, the mixed reviews and that, the kills like that, the more, the thing that we went through is a struggle of, you know, like either sticking to a sound that we thought was Cage The Elephant, or whatever it was…

TCC:    mmhmm…

Brad:    Or doing what we felt really passionate about and just changing it all up and just writing songs, and I think that’s how we, that we grew, on the second album, is that we just, there was no particular sound that we were going for, we just wrote the songs, we developed the songs the best that we possibly could, and then, you know, the ones that we really loved we put on the album, the ones we thought were weaker songs we didn’t.

TCC:    Right.

Brad:    Instead of, you know, analyzing, going like, “oh, is that Cage The Elephant?” You know, “Does that fit our sound?”   We just kind of had this really, you know, this light bulb go off above our heads, like “Wow!  We are five people who are in a band who write songs.”  And so, whatever songs we write is Cage The Elephant.

TCC:    Excellent.

Brad:    So it doesn’t have to be, you know what I’m saying?

TCC:    I do, actually.  If you could go back and undo or redo anything, would you? And what would it be?

Brad:    Nah, I don’t think, I don’t think so. Because I think everything that happened, you know, brought us to where we are right now.

TCC:    Yep.  You know, that’s my point of view, but I know not everybody shares it, so I like asking that question. [laughs]

Brad:    Oh no, it’s all good.  I mean, it’s, you know, it’s just like, you could change some minute thing and it alters everything.

TCC:    Exactly, exactly.

Brad:    So, you know, the tough time sucked.  It really did.  When we went through some really dark, depressing days, but, hmm, you know, it brought, it shaped us a little bit, and it built some character and some other things…

TCC:    Well, honestly, you wouldn’t, yeah, you wouldn’t be who you are if you hadn’t gone through what you did. So…

Brad:    No.

TCC:    And I think that most people, just as a general rule, kinda like you guys now.  So I think you’re good with that.

Brad:    [laughs]  We’ll see.  We were never the cool kids anyways…

TCC:    ahhh, that’s okay…

Brad:    I got, in elementary school I got called “poor boy” all the time, so it’s all good… [laughs]

TCC:    [laughs] sure, sure… that’s a standard kinda thing…

Brad:    You can take off all you want on that… [laughs]

TCC:    [chuckles] So, I’ve seen a couple different stories about how you guys came up with the name, “Cage The Elephant,” there was one about a fortune teller, there was one about some crazy guy with a goatee… Are either of them true?  Which one’s true?

Brad:    yeah, that’s the true one…THAT one.

TCC:    The goatee one?

Brad:    yeah… [laughs]

TCC:    okay… alright… I… You know, inquiring minds want to know… I dunno, I kinda like the fortune teller story myself, but… [laughs]

Brad:    [laughs] wait, wait… to be honest…

TCC:    Yes….

Brad:    Well, I don’t know if we’ve ever told the truth, so I think we’ll keep it that way… [laughs]

TCC:    Alright, that sounds, I was gonna say, are you sure you wanna do that now? [laughs]

Brad:    [laughs] No, everything that we’ve said is true. [laughs]

TCC:    okay –  I’ll quote you on that, as a matter of fact…  Hmm, you’ve done a lot of personal interviews – what question would you wish somebody would finally ask you?

Brad:    [pause]  …boxers or briefs… No… [laughs]

TCC:    [laughs] I like that one…

Brad:    I don’t know… I like spontaneous questions, so if I thought one up, then it wouldn’t be spontaneous…

TCC:    That’s also true…  Now, you’re a little bit familiar with Eugene… We have a really pretty serious music scene here, with a lot of bands that are trying to become themselves and try to make, you know, some kind of position in the industry…

Brad:    The best band in the world is from Portland.

TCC:    Who would that be?

Brad:    Morning Teleportation.

TCC:    Don’t know them…  do you know who Floater is?

Brad:    No, I’ll have to check that out…

TCC:    okay, they started in Eugene…

Brad:    oh really?

TCC:    …they’re based out of Portland now, and they have a, it’s a pretty good-sized following, national following, they do a lot of national tours and stuff.  What would you want to say to these local musicians and bands, when they, when they read this review, what would you want to say to these young guys that are just starting out?

Brad:    I don’t know, just keep an open mind about music.  Don’t pigeon-hole yourselves.

TCC:    Okay.

Brad:    And, just keep on playing, doing shows, and just keep on doing it, and, you know, if you’re passionate about it, you know, do something about it.

TCC:    Alright, alright.  Well, that’s all of the questions that I had for you, and I have a fifteen minute…

Brad:    You have to, seriously, check out Morning Teleportation, it’ll change your life.

TCC:    Morning Teleportation, ok, I will do that.

Brad:    They’re actually from our hometown, and um, Isaac Brock signed up to Glacial Pace, and then he produced their album.  They’ve been touring, they’re like psychedelic, fricken, out-of-this world original crazy stuff…

TCC:    oh, nice…

Brad:    but actually just, it’s weird, being from Bowling Green, Kentucky, and being two bands, they just played David Letterman like a month ago or something…

TCC:    okay… so they’re definitely moving up in the world…

Brad:    yeah, they’re just kinda just starting things out.  Paul Shaffer was so crazy, he was like, “That is totally original!” freaking out about them… it was so awesome…

TCC:    [laughs] Well, once you do Letterman, you’ve arrived, right?

Brad:    uh, well… you know, we thought we’d arrived several times [laughs] and it turned out to be false… [laughs]

TCC:    [laughs] Well, you know, as long as you guys are still changing, and you continue to evolve, you’re just gonna have to continue to arrive… because, you’re gonna, you know… You’re gonna be a new band every time you come around, so…

Brad:    [laughs] Well, I guess so…

TCC:    Well, I’m looking forward to the show on the 7th, and I really appreciate your time…

Brad:    Okay…

TCC:    and hopefully I’ll be able to say hello to you in person as you guys are, you know, doing whatever before the show…

Brad:    Yeah, we’ll have to, um, get some master show passes for you or something like that…

TCC:    Something like that, that would be great…

Brad:    so we can all meet and get some pictures or whatever…

TCC:    That would be lovely, I would enjoy that very much.  I will send this to your publicist…

Brad:    okay

TCC:    and make sure you guys have the link to it so you can take a look at it…

Brad:    yeah, yeah, and we’ll, we can post it on our Facebook for you too…

TCC:    absolutely.  Alrighty Brad, I’m gonna let you go… have a wonderful afternoon!

Brad:    Thank you so much for doing this, and thanks for your time today.

TCC:    Absolutely – talk to you later.

Brad:    okay

TCC:    bye bye